Katherine versus Virginia? Woolf's first impression faded away. Their friendship unfolds in the studio. The old Sobiniowski came again, and at his urging, Catherine began to translate a play by a Polish writer with him. Through introductions from Huxley and Strachey, she also t. S. Younger poets. Eliot met once or twice. 。 In fact, a few days after Gaston read Prufrock, she met Eliot at a dinner party. She wrote to Otelline describing the St.? John ? A night at Hutchinson's house Among the guests are Eliot, Robert? Graves and Roger ? Fry 。 This time "Mary" is the hostess and "Jack" is the host. At the end, she said, Oh, my God, these parties! In retrospect, they were all very good, but when they participated, they felt extremely boring. Mary, of course, spoke highly of Roger? Fry and Robbie ? Ross He stared at Graves,digital interactive whiteboard, glanced at Eliot, and from time to time drifted across the table where Mary was sitting? Merle and Max. ? The conversational voices of Pilpom and Sir Curson 。 Jack, in a white apron, cut that roast and look very English. Poor Eliot grew paler and more silent. In the middle sat Graves, who kept talking about what he had said to the sergeant, what the soldiers had said to him,65 inch touch screen, how he had forced them back with his pistol, and so on. I didn't like the young man at all, and in fact I wanted to contradict him and tell him that a man speaks only when he has something to say; and I thought he was stupid and insensitive about war, and dull when he talked about how to water down beer. I left with Elliot. . Past rows of smelly houses behind private fences, cats in heat scurrying down the middle of the road and a waning moon in the sky. I like him very much and I don't think he is my enemy. In another letter, she captured Eliot's expression with the lightning speed of her fast camera: "I want to talk to you about Sasson.". I want you to laugh at me and Resp for staring at Aldous and his brother in khaki. And the time spent by the elegant French poet Eliot.. I'm wondering if I can go to Gaston next weekend. ?” "Resputin" (possibly referring to Sobiniowski). A few years after her death, Otelline wrote that she had often heard Catherine insist that artists were different and felt inferior. In retrospect, she remembered that Catherine never forgot her duties as a writer, "just as Queen Victoria never forgot that she was a queen." But because of her lack of insight, she was unsympathetic and contemptuous. She was confused by the sincerity of the people and "did not know how to treat them". Once she told Ottlin that she didn't know when she was acting and when she was living, and said, interactive panels for education ,electronic board for classroom, "Do I still have my true self?" But behind all this, in her magical New Zealand childhood, there seems to be a mysterious refuge where her "true self" once had an innocent child. One day in April, at Hogarth House, Virginia? Woolf opened a parcel of printing in the dining room. ? John ? Hutchinson (1879-1971), British journalist and editor of the Daily Telegraph newspaper. Robert? Graves (1895~?) English poet, novelist and critic. Served as an officer in the First World War. His main works include "Farewell to Everything", "On English Poetry" and "Golden Fleece". — — Translation Note ③ Robbie? Ross (1869 ~ 1918), a British writer, art connoisseur and good friend of the famous writer Oscar Wilde. George? Merle (1852-1933), Irish novelist and playwright. Sir Curson (1859-1925) was a British Conservative politician. Sasson (1886 ~ 1967), a British poet, is famous for his anti-war poems and autobiography in the form of novels. His representative works include The Road to Peace (poem), George? Memoirs of Sherston (Autobiography), etc. After the translation, she told her sister that she was going to see Catherine? Mansfield "Maybe get a short story from her.". The only applicable manuscript was, of course, "Aloe", now treated for the first time as a short story in its own right, and given a new title, "Prelude", at Murray's suggestion. The whole work has been streamlined and condensed, and the dilatory parts and dialogues have been deleted. Here's how Nanny used to comb Beryl's hair when the girls were living together in Miss Birch's flat in Aloe Vera. It's the memory of Catherine and Ada in Miss Wood's flat: But almost every time this happened, it didn't work out. What did Nanny do? She would suddenly grab Beryl's hair and hide her face in it. Kissing, or putting her arms around Beryl's head, pressing them against her firm chest, sobbing, "You're so beautiful, you don't know how beautiful you are-how beautiful!" At this time, Beryl felt very frightened and couldn't help looking at Nan? Fry felt an extreme physical revulsion. : "That's enough, that's enough, thank you, you combed it beautifully, good night, Nan!" She didn't even try to hide her contempt and disgust.. Strangely, Nan. ? Fry seems to understand that. She even expected this answer, but she never argued,interactive touch screens education, just walked awkwardly out of the small room, perhaps whispering "forgive me" in the doorway. What's more amazing is that the next time Beryl let her comb her hair and let it happen again.. Stupid thing between two people. They always end up in the same way, and during the day they don't say a word. hsdsmartboard.com